UPCOMING & RECENT EVENTS​

NOV

30

Cortège d'antan

Finalist in "Hearing Orpheus Today" Competition

Malta International Organ Festival

Performers TBA

Valletta, Malta

OCT

31

Bocadillos Floridianos

Dione Chandler, oboe

Hannah Sun, piano

Stetson University

Deland, Florida

OCT

13

Rhapsody for Violin and Piano

Peter Otto, Violin

Randall Fusco, piano

Cleveland Composers Guild

Cleveland State University, Drinko Recital Hall

Cleveland, Ohio

SEP

24

25

La Bergère des Brises de Vallée

for flute, oboe, and piano

Oakwood Chamber Players

Oakwood Performing Arts Center

Madison, Wisconsin

AUG

3

Triskaidekaphilia

for three violins

Kent/Blossom Music Festival

Hudson Library

Hudson, Ohio

JULY

17

HEBERT VARIATIONS

for piccolo and piano

 Donald Gottlieb, piccolo

Grace Baugh-Bennett, piano 

Ceruti Chamber Players

Central Presbyterian Church

318 West Kentucky St., Lousville, KY

MAY

5

CONTANDO SIETE! for cello and piano

Cleveland Composers Guild

Creativity: Learning through Experience XXVII

The Music Settlement

11125 Magnolia Road, Cleveland, OH 44106

APR

7

ALEGRíAS

NeoSonicFest

Cleveland Chamber Symphony

Steven C. Smith, conductor

and Verb Ballets

choreography by Michael Escovedo

Maltz Performing Arts Center

1855 Ansel Road, Cleveland, OH 44106

MARGI

GRIEBLING-HAIGH

 

F E A T U R E D   R E V I E W S

Gramophone August 2013

“Griebling-Haigh’s penchant for exotic atmosphere is on display in two pieces of rich and haunting personality. The Sinfonia Concertante is scored for the fresh amalgam of two oboes, bassoon, and string quintet, which engage in sinuous and impassioned conversations until whimsy takes over in the third movement, an evocation of rascally rabbits. In Alegrías, Griebling-Haigh blends Sephardic sounds of several regions in a stew of flavorful ingredients. With yet another novel instrumentation  the music swirls and stomps in off-beat flamenco rhythms to disarming effect.”

 

The Double Reed, Vol. 40, Nº. 4

The Story of Babar  is given a fresh and convincing treatment in Griebling-Haigh’s effective translation and lovely characterful melodies and moods. The writing is consistently engaging, clever, and ideal for each character or dramatic situation.  This musical setting never overstays its welcome."

 

The Double Reed, Vol. 29, No. 1

Griebling-Haigh's compositional style and ability to write music that really paints pictures is very noteworthy."

 

Cleveland Plain Dealer

Vistas desde el Balcón (Views from the Balcony) leans toward Russian elements suggesting Prokofiev’s brooding lyricism and Shostakovich’s mystery and anger. Whatever the source, it’s a stunning explosion of ideas.”

 

Cleveland Plain Dealer

“Griebling-Haigh’s Collioure travels from brooding utterances to episodes of dramatic anguish. The piece was saturated with haunting inflections.”

 

American Record Guide

Griebling-Haigh manages to create beautiful textures and melodic lines that sound fresh and personal.  The melodies are lovely.”

 

American Record Guide

“The variety of moods, textures, and instrumental lineups is admirable.  Tedium and triviality are banished, and the musicianship is exemplary.”

 

     Contact Musicalligraphics

margihaigh@gmail.com

(216) 559-0464

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