UPCOMING & RECENT EVENTS
MAY
03
NOVELETTE
Creativity: Learning through Experience XXVIII
Hana Mazak, violin • Adam Whiting, piano
The Music Settlement • Cleveland, Ohio
MAR
19
TROCADILLOS
Evening of Chamber Music • Idaho Falls Symphony
Kristen Bull, oboe • Elizabeth Crawford, bassoon
Allison Anderson Vest, piano
480 Park Avenue, Idaho Falls, Idaho
MAR
17
DANSES RAVISSANTS
Merian Ensemble • Atlanta Symphony Orchestra
Christina Smith, flute • Emily Brebach, English horn
Jessica Oudin, viola • Elisabeth Remy Johnson, harp
Schwartz Center for the Performing Arts
Emory University • Atlanta, Georgia
MAR
15
HISTOIRE DE BABAR, LE PETIT ELEPHANT
"Music Upstairs" at the Pittsburgh Public Library
Laura Very, narrator • Cynthia Anderson, oboe & E.H.
Andrew Kohn, double bass • Sun Jung Lee, piano
Pittsburgh Public Library Oakland Branch
4400 Forbes Avenue • Pittsburgh, Pennsylvania
DANSES RAVISSANTS
Merian Ensemble • Atlanta Symphony Orchestra
Christina Smith, flute • Emily Brebach, English horn
Jessica Oudin, viola • Elisabeth Remy Johnson, harp
Orpheus Brewing
1440 Dutch Valley Road • Atlanta, Georgia
MARGI
GRIEBLING-HAIGH
F E A T U R E D R E V I E W S
Gramophone August 2013
“Griebling-Haigh’s penchant for exotic atmosphere is on display in two pieces of rich and haunting personality. The Sinfonia Concertante is scored for the fresh amalgam of two oboes, bassoon, and string quintet, which engage in sinuous and impassioned conversations until whimsy takes over in the third movement, an evocation of rascally rabbits. In Alegrías, Griebling-Haigh blends Sephardic sounds of several regions in a stew of flavorful ingredients. With yet another novel instrumentation the music swirls and stomps in off-beat flamenco rhythms to disarming effect.”
The Double Reed, Vol. 40, Nº. 4
The Story of Babar is given a fresh and convincing treatment in Griebling-Haigh’s effective translation and lovely characterful melodies and moods. The writing is consistently engaging, clever, and ideal for each character or dramatic situation. This musical setting never overstays its welcome."
The Double Reed, Vol. 29, No. 1
Griebling-Haigh's compositional style and ability to write music that really paints pictures is very noteworthy."
Cleveland Plain Dealer
“Vistas desde el Balcón (Views from the Balcony) leans toward Russian elements suggesting Prokofiev’s brooding lyricism and Shostakovich’s mystery and anger. Whatever the source, it’s a stunning explosion of ideas.”
Cleveland Plain Dealer
“Griebling-Haigh’s Collioure travels from brooding utterances to episodes of dramatic anguish. The piece was saturated with haunting inflections.”
American Record Guide
Griebling-Haigh manages to create beautiful textures and melodic lines that sound fresh and personal. The melodies are lovely.”
American Record Guide
“The variety of moods, textures, and instrumental lineups is admirable. Tedium and triviality are banished, and the musicianship is exemplary.”
MAR
05
07
ROMANS DES ROIS
Music by Women Festival
Mississippi University for Women • Columbus, MS
MAR
03
ROMANS DES ROIS
Riceland Hall, Fowler Center
Arkansas State University • Jonesboro, AR
OCT
31
BOCADILLOS FLORIDIANOS
Dione Chandler, oboe
Hannah Sun, piano
Stetson University • Deland, Florida
OCT
13
RHAPSODY FOR VIOLIN & PIANO
Peter Otto, Violin
Randall Fusco, piano
Cleveland Composers Guild
Cleveland State University • Cleveland, Ohio
SEP
24
25
LA BERGÈRE DES BRISES DE VALLÉE
for flute, oboe, and piano
Oakwood Chamber Players
Oakwood Performing Arts Center • Madison, Wisconsin
AUG
3
TRISKAIDEKAPHILIA
for three violins
Kent/Blossom Music Festival
Hudson Library • Hudson, Ohio
JULY
17
HEBERT VARIATIONS
for piccolo and piano
Ceruti Chamber Players
Central Presbyterian Church • Lousville, KY
APR
7
ALEGRíAS
NeoSonicFest
Cleveland Chamber Symphony • Steven C. Smith, conductor
Verb Ballets • choreography by Michael Escovedo