UPCOMING & RECENT EVENTS​
NOV
30
Cortège d'antan
Finalist in "Hearing Orpheus Today" Competition
Malta International Organ Festival
Performers TBA
Valletta, Malta
OCT
31
Bocadillos Floridianos
Dione Chandler, oboe
Hannah Sun, piano
Stetson University
Deland, Florida
OCT
13
Rhapsody for Violin and Piano
Peter Otto, Violin
Randall Fusco, piano
Cleveland Composers Guild
Cleveland State University, Drinko Recital Hall
Cleveland, Ohio
SEP
24
25
La Bergère des Brises de Vallée
for flute, oboe, and piano
Oakwood Chamber Players
Oakwood Performing Arts Center
Madison, Wisconsin
AUG
3
Triskaidekaphilia
for three violins
Kent/Blossom Music Festival
Hudson Library
Hudson, Ohio
JULY
17
HEBERT VARIATIONS
for piccolo and piano
Donald Gottlieb, piccolo
Grace Baugh-Bennett, piano
Ceruti Chamber Players
Central Presbyterian Church
318 West Kentucky St., Lousville, KY
MAY
5
CONTANDO SIETE! for cello and piano
Cleveland Composers Guild
Creativity: Learning through Experience XXVII
The Music Settlement
11125 Magnolia Road, Cleveland, OH 44106
APR
7
ALEGRíAS
NeoSonicFest
Cleveland Chamber Symphony
Steven C. Smith, conductor
and Verb Ballets
choreography by Michael Escovedo
Maltz Performing Arts Center
1855 Ansel Road, Cleveland, OH 44106
​
MARGI
GRIEBLING-HAIGH
F E A T U R E D R E V I E W S
Gramophone August 2013
“Griebling-Haigh’s penchant for exotic atmosphere is on display in two pieces of rich and haunting personality. The Sinfonia Concertante is scored for the fresh amalgam of two oboes, bassoon, and string quintet, which engage in sinuous and impassioned conversations until whimsy takes over in the third movement, an evocation of rascally rabbits. In Alegrías, Griebling-Haigh blends Sephardic sounds of several regions in a stew of flavorful ingredients. With yet another novel instrumentation the music swirls and stomps in off-beat flamenco rhythms to disarming effect.”
The Double Reed, Vol. 40, Nº. 4
The Story of Babar is given a fresh and convincing treatment in Griebling-Haigh’s effective translation and lovely characterful melodies and moods. The writing is consistently engaging, clever, and ideal for each character or dramatic situation. This musical setting never overstays its welcome."
The Double Reed, Vol. 29, No. 1
Griebling-Haigh's compositional style and ability to write music that really paints pictures is very noteworthy."
Cleveland Plain Dealer
“Vistas desde el Balcón (Views from the Balcony) leans toward Russian elements suggesting Prokofiev’s brooding lyricism and Shostakovich’s mystery and anger. Whatever the source, it’s a stunning explosion of ideas.”
Cleveland Plain Dealer
“Griebling-Haigh’s Collioure travels from brooding utterances to episodes of dramatic anguish. The piece was saturated with haunting inflections.”
American Record Guide
Griebling-Haigh manages to create beautiful textures and melodic lines that sound fresh and personal. The melodies are lovely.”
American Record Guide
“The variety of moods, textures, and instrumental lineups is admirable. Tedium and triviality are banished, and the musicianship is exemplary.”